Poems Against War

 

A Journal of Poetry and Action
Poems

 

 

10 Poems

I Move Among the Dark Cubicles

Clean War

WMD

You Have the Right to Make the World

          Beautiful!

While You’re Shopping, Bombs Are Dropping

The Old Warrior

A Dream of the Wind

Pretending to be Dead

What They Say

Thunder

 

Credits

Why Ten Anti-War Poems?: An Afterword

Biographies of Writers

 

 

I Move Among the Dark Cubicles

by Rosemary Klein

 

I move among the dark cubicles that barely divide person from person that barely shield soul and heart

as an unfurled umbrella from the press of rain.

 

Power is nothing and everything to those without power, to those who waste in guilt and fear,

who wander in routine.

 

Why would a man want to be ruled when everything on earth is capricious and free?

 

To such I say all that is forgotten is the same as all that is denied.

 

Those who gossip and drink at the water cooler, who imagine themselves going to battle with lesser than they,

 

those whose eyes drink too long on forms and applications, whose eyes rarely stray from the computer,

 

those with ear pressed to the cell phone or fingers pressed to the palm pilot,

 

those who stay too long at meetings, workshops, conferences;

 

to them I say the soul agitates for renewal, for its place among all living creatures.

 

I do not judge one man above another. One man’s shoulders are not higher than another man’s measure.

 

Whether in lockstep or alone, I guarantee each a destiny.


Clean War

by Patricia Wellingham-Jones

 

They are calling this the cleanest war in all of military history.

                        --Tom Brokaw, April 2, 2003

 

Tell that to the ravens

plucking out eyes

on the blood-packed sand

 

To fathers cradling

the last of their hopes

in torn bodies

 

To young girls swelling

with the unwanted gifts

of swift strong soldiers

 

To mothers and wives

pulling on veils of grief

as they wash their dead

 

Inform the children

who wander dazed with thirst, alone

among ruins

 


WMD

by Auset

 

They made weapons of mass destruction

and tucked their children in,

careful kisses for tender dreams.

 

They made weapons of mass destruction

and went about the daily tumble of life,

looking for love and ducking danger,

making rules for strangers.

 

They made weapons of mass destruction

and found enemies hidden in their fears,

pretending that children were safe

from evil living without borders.

 

When life is so big that it swallows us whole,

the earth remains beneath our feet

and there is no stranger that we meet whose

step is unfamiliar.

 

We make weapons of mass destruction

and cut up life into pieces that look foreign,

but at night

we tuck out children tight

as though evil had a map.

 


You Have the Right to Make the World Beautiful!

by Alan Barysh

 

You have the right to make the world beautiful!

It's your right by birth!

You have the right to make the world hospitable to all forms of life!

You have the right to be creative and build a planet that corresponds with your highest and boldest aspirations!

You have the right to make the world beautiful

and the right to create this beauty by any means necessary!

 

While You’re Shopping, Bombs Are Dropping

by Gregg Mosson

 

Saturday sun

details the faces

of the marchers and the watchers.

We are shouting “no” to normalcy.

 

                             While I’m speaking,

                             bombs are nearing.

 

And meeting friends for dinner tonight,

I’ll still have my life to solve:

Whom do I love, who loves me?

 

                              While we’re breathing,

                               bombs are cleaving.

 

Solidarity with all—

fathers, sisters, neighbors, strangers—

is how I live,

is what I can give.

 

 

The Old Warrior

by Marcus Colasurdo

for Philip Berrigan

 

When he emerged from captivity

          the people crowded around him.

They flung their questions

like spears over heads of wheat.

The old warrior listened,

   the lines of his face in raw books

   of history.

On the gray steps,

          the voices grew louder:

          they wanted to know

what the battle was like

how many were killed

how the blood tasted.

The old warrior stood unmoving;

   not even whispering

though something tectonic

   jumped in his eyes.

He may have offered a flower

     but I didn't see it.

He may have folded his arms in prayer

     but I couldn't tell.

From his tongue

     only the ocean rose

And when the questions brought down thunder,

     he smiled at a child

and climbed the grey stairs again.

 

 

A Dream of the Wind

by Marcus Colasurdo

 

When the red dawn finally explodes

   upon our land

and the earth covering the hundred million

  trembles-

A new people will appear

   wearing symbols on their cloaks.

They will speak a language

   from the lips of the caves

of copper

 and they will carry their shelter on their backs.

They will travel by foot

    and worship

the horses that still run free.

At night

   they will gather near fires

   preparing the food;

etching blankets and belts

   from what is left.

The women will measure great distances

   by charting the cross-eyed stars:

for these will be a people

   who have known imperfection.

The men will stretch tents into drums,

   thinking of new melodies:

for these will be a people

   who have known great silence.

The children will pantomime

   the sway of the trees

for these will be a people 

   of whom nothing is known.                              

 

                    
Pretending to be Dead

by Antler

 

How many boys who loved playing army,

Who loved pretending to be shot

tumbling down summer hills,

Who loved pretending to be dead

        as their bestfriend checked to make sure,

Or who loved pretending to deliver

their last-words soliloquy

        wincing in imagined pain

        or lost and dreamy,

Find themselves years later

trapped on the battlefield

Hearing the voices of enemy soldiers

Searching for corpses to mutilate

or wounded to torture to death?

 

What man remembers those idyllic

        boyhood days then

As he lies still as possible

Trying not even to breathe,

        hoping beyond hope

        the enemy will pass him by,

Knowing if he's discovered

        they'll cut off his cock and balls

        and stuff them in his screaming mouth

And then, before cutting off his head,

        disembowl him before his eyes?

 

Ah, thousands of boys and men

have met this end,

Millions perhaps by now,

so many people

        so many wars.

 

Do they go to a special heaven

set aside for

all who die like this?

Restored to the bodies they had,

The memory erased of that insane end

to the story of their lives?

Do they still get a chance

        to play army with joy

And pretend to be shot

and pretend to die?

 

After they meet this end?

Do they still get to thrill

in pretending to be dead

after they die?

After this hideous inhuman end

   will they laugh and wrestle

   their bestfriend again?

 

 

 

What They Say

by Barbara Simon

 

So much to be thankful for

in America--Good folks                         

folded like handkerchiefs                        

into the pocket of our national

pride. How well our great country

churns through the vast swell           

 

of world opinion. Dominance swells

our chest. So responsible, we are for                                  

helping the little guy. Beleaguered countries

beg us to help their folk

learn how to grow a real nation,

one where the chief

 

executive would never lie. Chief

among the virtues of this swell

American ideal, we know we are a moral nation,

filled with people thankful for

liberty, freedom—democratic folk         

willing to stand up for this great country.

 

To honor our country,                             

we let slide pomposity, pretension, and chief             

among our cardinal sins, the folk

wisdom that we are right: the swell                  

of public debate always for

flag waving. Our national

 

patriotism, the refuge of a nation

that smiles after bombing a country

into submission for         

weapons it didn't have, chiefly

to get the oil, the swell

reserves to feed the fine folk

 

at Halliburton or Bechtel, corporate folk                     

whose only interest is our national

debt they allow to grow to swell

their coffers, raping us, the country

going down as our chief

executive cowboy struts for

 

an image of victory, our country welcome

only to the Fortune 500 folk, their chief                                

goal to make the nation safe, or so they say.

 

 

Thunder

by Auset

 

In trying times to walk

On the heels of the ancestors

Quietly

Always giving thanks

Giving thanks always

 

Tread lightly

They will hear your step

 

Do not awaken the thunder

Sleeping in their hearts

 

It will rain soon enough

 


Why Ten Anti-War Poems?

An Afterword by Gregg Mosson

01/15/08

 

          The ten poems included here are culled from Poems Against War, a journal that began publishing in May 2003 in a limited edition at first biannually and then annually.  The small-press journal is archived at the University of Wisconsin, Madison—special collections department.  In 2007, Poems Against War Vol. 6: Music & Heroes become available internationally through Wasteland Press.

 

Poems Against War says artists must raise their voices to inspire change.  In mainstream literary magazines today, scant literature dares to speak about war and other pressing social issues facing people in the 21st century.  In this way these publications create a fiction that people can live their lives outside of cultural and social changes, when in fact most cannot escape.  Such silence endorses the status quo.  However if the status quo is not tending toward peace and justice, then it is not good enough.

 

In February 2003, U.S. First Lady Laura Bush invited a number of writers to a White House conference on the topic of Emily Dickinson, Walt Whitman, and Langston Hughes.  Neither Hughes nor Whitman would have come to that symposium on the eve of a war and remained silent.  When it became rumored that invited West Coast poet Sam Hamill might mention his opposition to the then-brewing 2003 Iraq invasion, Mrs. Bush cancelled the symposium.  The U.S. went to war with Iraq on March 19, 2003.

 

          Hamill gave birth to a ‘Poets Against the War’ movement.  He created a Web site allowing over 11,000 poets in a matter of months to contribute their poems from the U.S. and around the world.  This movement exposed a swell of U.S. sentiment against the war. This journal takes its cue from Hamill and Langston Hughes and Walt Whitman, and especially from Whitman’s “Song of Myself,” in providing space for voices of witness, peace, anger, and joy.

 

The ten poems here were culled from the first six issues of Poems Against War. 

 

 

 

BIOGRAPHIES

 

Antler is author of Selected Poems (Soft Skull Press, 2000) and Last Words (Ballantine Books, 1986).  He has been the poet laureate of Milwaukee, Wisconsin, and his long poem “Factory” is a must read.  The poem here “Pretending to be Dead” can be found in his Selected Poems.

 

Auset is a name derived from an ancient Egyptian god, and is the stage name for an African-American woman who lives in Baltimore, Maryland.  This poem comes from her chapbook, Thunder.  Auset and poet Marcus Colasurdo perform a traveling poetic 2-person show, Thunder and Lightning.

 

Alan Barysh is a poet and activist whose new poetry CD is Art Between Deliveries.  He recorded it, so he says, with his DJ Infinite Eye during breaks while on the job as a delivery man.  The CD can be found at: myspace.com/infiniteeyemusic.

 

Marcus Colasurdo is a poet and teacher whose performance company Gimmie Shelter Productions in Maryland has put on fundraising benefits using poetry for 15 years.  He has inked Bending Zen Wavelengths, a book of poems, and Angel City Taxi, an unpublished novel based on his days as Los Angeles taxi cab driver.

 

Rosemary Klein is executive director of the Maryland State Poetry & Literary Society, and founding editor and director of Three Conditions Press.  Her poems have appeared widely.

 

Gregg Mosson is the publisher and main editor of Poems Against War: A Journal of Poetry and Action.  He has written a book of nature poetry, Season of Flowers and Dust (Goose River Press).  His reporting, reviews, and poetry have appeared in The Cincinnati Review, The Baltimore Sun, Poet’s Ink, and other places.  If you dare, seek more at www.greggmosson.com

 

Barbara Simon’s first full-length book of poetry is The Woman From Away (Three Conditions Press).  She taught at the University of Maryland--Baltimore County.  She died from cancer in 2007 and shall be missed.

 

Patricia Wellingham-Jones has written Voices on the Land (Rattlesnake Press) and Don't Turn Away: Poems About Breast Cancer (PWJ Publishing).  Her work has appeared widely.  She is a former psychology researcher, and her Web site is www.wellinghamjones.com.

 

·        All rights to these poems are held by the poets.

·        Feel free to reprint or distribute for educational and non-profit purposes.  For other reasons, query.

·        This anthology was produced by Poems Against War: A Journal of Poetry and Action

·        www.poemsagainstwar.com    /   pawmagazine@yahoo.com